My family is rather musical. I have played the violin for many years and I also have a son and daughter that play woodwind instruments. As a result, I have talked to many instrument repair people over the years. I remember one story I heard from a man who worked in an instrument repair shop in Indianapolis. He said that one student came into his shop with a damaged instrument (I don’t remember what kind of instrument it was, but it was rather large). Some friends would take him to his lesson but the car was too small to hold all the people riding and his instrument. He would ride to the lesson holding the case outside the window. When he arrived at the location, he would drop the case, open the door, pick it up and run in to his lesson. Not the best idea. The wear and tear eventually damaged the instrument to the point he had to have it repaired.
A violin (or any instrument) is an investment. A decent instrument that has been properly maintained will not usually depreciate in value. Some will even increase as time goes on. Even more importantly, it is an investment in your life. It will give you the opportunity to learn to play the music you love. If you are involved in your church musically, you can glorify God for many years to come. You will never outgrow it.
So how do you maintain your violin?
Maintenance You Can Do
- Location – Keep it in a safe place. Don’t leave it on a chair to be sat on, or on the floor to be stepped on. I guarantee Joshua Bell does not leave his 300 year old Stradivarius lying in a chair. You shouldn’t either, even if it is only a student model.
- Case – The safest place for your violin is in a good case. Even then, take care not to drop it as this can cause several undesirable results.
- The jar can cause the sound post to move or detach.
- The tuning pegs can pop out, causing the bridge to come loose. Since pressure from the bridge holds the sound post in place, this also may cause it to loosen.
- It can cause cracks in the body of the violin.
- Stand – Violin stands are handy for easy access if you plan to play often, but beware, you must keep the stand away from foot traffic or it may be kicked causing damage to the instrument.
- Floor stand – A good floor stand will be sturdy with a locking device to keep the instrument safe. It will also have a place to hold the bow.
- Swing stand – these are designed to attach to your music stand. I have never used one, but the concept doesn’t sound safe. Stands can be knocked over, causing damage to the instrument
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Car – NEVER leave your instrument in a car – whether it be in a trunk or in the passenger area! Extreme temperatures can cause the varnish to bubble, the wood to crack, or seams to come apart.
- Case – The safest place for your violin is in a good case. Even then, take care not to drop it as this can cause several undesirable results.
Thank you for composing “How To Take Care of Your Violin
| The 3-Fingered Violinist”. I reallymight absolutely end
up being returning for far more reading through and commenting here soon.
I am grateful, Leonida
On the subject of violin cases it is possible to purchase a case that holds the instrument in “suspension” (suspended in the air, so to speak). Then even if the closed case is dropped, the instrument comes in contact with no hard surfaces, thus diminishing the chance that it will severely damaged in the process.
I would recommend against a violin stand for a child’s use. It is too easy for a child to bump into it, knock it over etc. Children are advised to put the violin back in it’s case or on top of a grand piano (top shut!), and if there are pets roaming the house, the case is the only real safe place.
I change my strings when they go false or when they begin to unravel. If you are using high quality strings the cost is prohibitive if you change all four strings before the strings actually wear out. Change only one string at a time. The more strings changed on the same day the longer it takes for them to stretch. This is because the pegbox no longer provides one consistent pulling power against which the string can stretch. It becomes unstable, the strings can’t stretch much and the resulting intonation problems can drive a person mad. I’d change one string, wait two or three days, change another, wait another two or three days and so on. I use Pirastro Eudoxa, which are on the expensive side. The Pirastro Gold or Wondertone is the gut core equivalent of a Dominant string, which itself is a widely used synthetic string. Synthetic strings are now quite expensive, yet when gut strings were popular the synthetics were much cheaper. Now that everyone has switched to synthetics Tomastik pushed their prices up! Gut strings create a warm sound that manufacturers or the synthetics are trying to reproduce with their “blue (cool)” and “red (warm)” versions.
Strings should not break when first put on, especially if they are replacing another. Consider this: if there were a “bad” spot on the violin which chafes bad enough to break through the string the same thing would have happened to the string it is replacing.
When winding the peg with the new string on it, try to get the string to hug the cheek of the peg box snuggly. Changing strings is quite difficult and may be something you need to have a teacher for example do a few times while you watch. It can be very distressing to break a string in the process, which does happen if a string is faulty, but mostly due to being stretched too much during tuning. Having the bridge and subsequently the soundpost collapse is upsetting too, and without proper equipment the average person will not be able to replace the sound post.
I use a pencil “lead” to fix a sticky peg. I just scribble along the the spot on which the peg hole rubs the peg. If a peg continues to slip there are products that can make it stickier, but if that doesn’t work the problem is not with the peg, but the hole it is trying to fit into. The hole in this case has now become too big and needs to be rebushed, which is a process in which a wooden plug is placed in the peg hole and then a new hole is re-bored. This can only be done by a luthier.
The bridge should be checked frequently to make sure it is not beginning to lean toward the pegs. This is going to happen eventually as strings are mostly tuned up rather than down, and that dragging forward of the string while it rests over the bridge will eventually pull the bridge forward with it. If not corrected in time the bridge can snap down on the table of the violin, which could cause a crack in the table, especially if the sound post falls too. All you do is pull the bridge back a tiny bit, letting it stay in a position in which is leaning back (toward chinrest) slightly. Of course that can go too far as well and cause the bridge to snap down the other direction. Depending on the hand and finger strength this is something a student can do, but if there is any question it’s probably best done by the teacher.
Great story about the student with dirty strings!!! Rosin on the wood won’t cause the violin to sound bad, but that rosin will melt, and when it does the melted rosin destroys the varnish and probably cannot be removed. Special cloths ! really can save students a lot of trouble.
Do you have any videos of you playing the violin on Youtube or somewhere? Would love to hear you play.
I do have plans for that, but I don’t have a way to record at this time. I hope to do it soon.